Cutting Edge: Noguchi’s Aluminum Monolith Sesshu, 1958
January 22–March 15, 2020
Isamu Noguchi’s Sesshu (1958) exemplifies the Japanese American artist’s commitment to synthesizing disparate cultures through his work. Noguchi attributed his long-standing interest in making three-dimensional sculpture from two-dimensional materials to his childhood training in origami and kirigami—the Japanese arts of cutting and folding paper. Off view since 1968, the recently conserved Sesshu was created from a single sheet of Alcoa (Aluminum Company of America) manufactured aluminum, which was not considered a fine art material in the 1950s. The artist used industrial equipment to cut and bend the flat sheet into a screenlike form.
Image: Isamu Noguchi, Sesshu, 1958. Aluminum. Gift of an Anonymous donor. © 2019 The Isamu Noguchi Foundation and Garden Museum, New York / Artists Rights Society (ARS), New York.