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In the early sixteenth century, artists in the Low Countries carved intricate miniatures from boxwood as symbols of religious devotion for their wealthy Christian patrons. Today, these carvings produce an uncanny effect on museum visitors—they stop people in their tracks and demand to be remembered.
Why do these tiny treasures from half a millennium ago have such an outsized impact today? Barbara Drake Boehm, The Paul and Jill Ruddock Senior Curator of the Met Cloisters, Emerita, explores the world of these small wonders and ponders their mesmerizing effect. Free with required reservation.
Presented in partnership with the Design and Decorative Arts Council with additional support provided by the Joseph and Robert Cornell Memorial Foundation Fund at the Wadsworth Atheneum.
Image: Attributed to Adam Dircksz and workshop, Miniature coffin, c. 1500–1530. Boxwood, metal (possibly silver), ink or paint. Gift of the Hartford Foundation for Public Giving and The Evelyn Bonar Storrs Trust Fund