Calendar of Events
Fashion periodicals including Vogue and Harper’s Bazaar often highlighted the work of Alexander Calder (1898–1976) and his modernist contemporaries. The articles, which focused on all media as well as interior decorating that used Calder’s designs, were intended to educate women of fashion about current art and aesthetics for a well-rounded perspective beyond wearing stylish clothes. Collectively, they reveal that aspects of Calder’s work were marketed to broad audiences and fashion-savvy women to inform their artistic choices in home decoration and keep them informed about the art world. Join Ned Lazaro, the Wadsworth Atheneum’s associate curator of costumes and textiles, for a gallery talk about the intersection of Calder and fashion reporting in high fashion publications. Free with admission.
Natural Information Society’s hypnotic sound celebrates rhythm and collective listening through its approach to structured improvisation. Hailed by The New York Times as “patient, layered music that’s always heading somewhere, sometimes spare and sometimes complex and shimmering,” Natural Information Society fuses elements of minimalism and jazz with sounds from across the globe. Led by Joshua Abrams—composer, multi-instrumentalist, and founding member of The Roots—the ensemble incorporates free-hanging paintings by artist and band member Lisa Alvarado (MATRIX 192) into its performances, setting the stage for a multisensory journey through the ensemble’s colorful world. $15; $10 members, Wadsworth Welcome, and students with ID. Museum admission not included.
Joshua Abrams – guimbri, Lisa Alvarado – harmonium, Mikel Avery – drums & cymbals, Jason Stein – bass clarinet
Presented in conjunction with the Lisa Alvarado / MATRIX 192 exhibition and generously supported by the Wadsworth’s Contemporary Coalition. Additional support for the performance is provided by the Joseph and Robert Cornell Memorial Foundation Fund at the Wadsworth Atheneum.
Image: Photo by Mikel Patrick Avery, Courtesy of Natural Information Society and Front Porch Productions
Salvator Rosa (1615–1673), one of the most eccentric painters of the Italian baroque, is celebrated for his unconventional approaches to portraiture, history painting, and landscape. Paintings conservator Allen Kosanovich examines an in-process treatment of Rosa’s Landscape with Tobias and the Angel (c. 1660), discussing how these efforts address over three centuries of aging and previous restoration. Free with admission.