Calendar of Events

The Wadsworth is pleased to host the season finale performance of the Arazzo Music Festival, a new initiative building community through musical performances here in Connecticut. Join Connecticut cellist and festival director Samuel DeCaprio as he performs an evening of string music in Morgan Great Hall with musicians from across the region. The program centers around Pyotr Ilyich Tchaikovsky’s String Sextet in D minor “Souvenir de Florence”, Op. 70 (1890). Free with required registration. 

Join Towson University’s art and culinary historian Nancy Siegel for a discussion exploring the connections between food, drink, and politics during the American Revolution. Sample sweet treats from the era to declare the winner of the ultimate Federalist versus Republican cake duel. Tickets are limited, registration required. $25; $10 members.

This program is sold out. Join decorative arts curators Brandy Culp and Linda Roth as they consider the complex history of punch and the ways silver and rum were entangled in the eighteenth century. Sample rum from Bloomfield’s Waypoint Spirits distillery and preview the historic objects in the museum’s new Silver Vault that were used to serve this complicated beverage. $15; $10 Members/students with ID. Must be age 21 to attend. 

Melodies of Certain Damage (Opus 6) performances are canceled due to unforeseen circumstances.  Ticket purchases will be refunded automatically. Ticket-holders may present their original email confirmation for complementary same-day admission.

Tsabar’s Melodies of Certain Damage (Opus 6) performances are realized in a landscape of smashed guitars. The shattered remains evoke the destructive actions popularized in male-dominated rock and roll, but here they become instruments of communal performance that offer a feminist narrative. Join Tsabar and an ensemble of women and gender non-conforming performers from across the region as they activate Tsabar’s installation through site-specific performance. Free with admission. Masks are required for visitors attending this performance. Musicians not required to wear a mask. Tickets are limited, reservations required.

Melodies of Certain Damage (Opus 6) performances are canceled due to unforeseen circumstances.  Ticket purchases will be refunded automatically. Ticket-holders may present their original email confirmation for complementary same-day admission.

Tsabar’s Melodies of Certain Damage (Opus 6) performances are realized in a landscape of smashed guitars. The shattered remains evoke the destructive actions popularized in male-dominated rock and roll, but here they become instruments of communal performance that offer a feminist narrative. Join Tsabar and an ensemble of women and gender non-conforming performers from across the region as they activate Tsabar’s installation through site-specific performance. Free with admission. Masks are required for visitors attending this performance. Musicians not required to wear a mask. Tickets are limited, reservations required. Registration link will be available soon. 

In-person tickets have SOLD OUT. Register for the live stream to attend the lecture via Zoom.

5pm reception, 6pm lecture—In museum & virtual 
Jelani Cobb, PhD, is an expert on how race, politics, history, and popular culture intersect in America. Author of the highly acclaimed book The Substance of Hope: Barack Obama and the Paradox of Progress, Cobb also writes about police brutality, voter access, racial discord, and partisan polarization and eloquently explores how the past looms in our contemporary societal landscape and how we can collectively push toward a more equitable America. Jelani Cobb discusses the complex dynamics of race and racism in America, to clarify them and inspire his audience to collective activism with the goal of achieving equity in the form of genuine democracy. He shows us that not only are the levers of justice in our hands, but we can move them in the direction we see fit. 

The Pennington Lecture is presented in honor of the Rev. Dr. James W. C. Pennington and is part of Capital Community College’s Black Heritage Project. The project aims to surface the remarkable history of the first Black church and school for Black children in Hartford through an exhibition on Hartford’s Black community formation (now on view at the college), curriculum in a variety of courses, and programs such as this.  

This lecture is sponsored by the National Endowment for the Humanities and the Capital Community College Foundation and presented as a collaboration between Capital Community College, The Amistad Center for Art & Culture, and the Wadsworth Atheneum Museum of Art. 

Natural Information Society’s hypnotic sound celebrates rhythm and collective listening through its approach to structured improvisation. Hailed by The New York Times as “patient, layered music that’s always heading somewhere, sometimes spare and sometimes complex and shimmering,” Natural Information Society fuses elements of minimalism and jazz with sounds from across the globe. Led by Joshua Abrams—composer, multi-instrumentalist, and founding member of The Roots—the ensemble incorporates free-hanging paintings by artist and band member Lisa Alvarado (MATRIX 192) into its performances, setting the stage for a multisensory journey through the ensemble’s colorful world. $15; $10 members, Wadsworth Welcome, and students with ID. Museum admission not included.

Joshua Abrams – guimbri, Lisa Alvarado – harmonium, Mikel Avery – drums & cymbals, Jason Stein – bass clarinet 

Presented in conjunction with the Lisa Alvarado / MATRIX 192 exhibition and generously supported by the Wadsworth’s Contemporary Coalition. Additional support for the performance is provided by the Joseph and Robert Cornell Memorial Foundation Fund at the Wadsworth Atheneum.  

Image: Photo by Mikel Patrick Avery, Courtesy of Natural Information Society and Front Porch Productions