Calendar of Events

Naama Tsabar (MATRIX 189) and Laurie Anderson (MATRIX 46) engage performance and sound as pivotal components in their creative practices. Listen in as Tsabar and Anderson discuss how they use sound as a medium for artmaking, challenge the stereotypes of musical genres through experimentation, and reveal the feminist dialogues at play in their work. Free virtual program. 

Catalan painter Francisco Ribalta vividly captured religious images at the turn of the seventeenth century, positioning himself as one of the major figures of the early Baroque. Paintings conservator Allen Kosanovich examines an in-process treatment of Ribalta’s The Ecstasy of Saint Francis: The Vision of the Musical Angel (c. 1620–1625), discussing how these efforts address the results of four hundred years of aging and numerous restoration attempts. Free with museum admission. Meet in front of the Museum Shop.

Melodies of Certain Damage (Opus 6) performances are canceled due to unforeseen circumstances.  Ticket purchases will be refunded automatically. Ticket-holders may present their original email confirmation for complementary same-day admission.

Tsabar’s Melodies of Certain Damage (Opus 6) performances are realized in a landscape of smashed guitars. The shattered remains evoke the destructive actions popularized in male-dominated rock and roll, but here they become instruments of communal performance that offer a feminist narrative. Join Tsabar and an ensemble of women and gender non-conforming performers from across the region as they activate Tsabar’s installation through site-specific performance. Free with admission. Masks are required for visitors attending this performance. Musicians not required to wear a mask. Tickets are limited, reservations required.

Melodies of Certain Damage (Opus 6) performances are canceled due to unforeseen circumstances.  Ticket purchases will be refunded automatically. Ticket-holders may present their original email confirmation for complementary same-day admission.

Tsabar’s Melodies of Certain Damage (Opus 6) performances are realized in a landscape of smashed guitars. The shattered remains evoke the destructive actions popularized in male-dominated rock and roll, but here they become instruments of communal performance that offer a feminist narrative. Join Tsabar and an ensemble of women and gender non-conforming performers from across the region as they activate Tsabar’s installation through site-specific performance. Free with admission. Masks are required for visitors attending this performance. Musicians not required to wear a mask. Tickets are limited, reservations required. Registration link will be available soon. 

Melodies of Certain Damage (Opus 6) performances are canceled due to unforeseen circumstances.  Ticket purchases will be refunded automatically. Ticket-holders may present their original email confirmation for complementary same-day admission.

Tsabar’s Melodies of Certain Damage (Opus 6) performances are realized in a landscape of smashed guitars. The shattered remains evoke the destructive actions popularized in male-dominated rock and roll, but here they become instruments of communal performance that offer a feminist narrative. Join Tsabar and an ensemble of women and gender non-conforming performers from across the region as they activate Tsabar’s installation through site-specific performance. Free with admission. Masks are required for visitors attending this performance. Musicians not required to wear a mask. Tickets are limited, reservations required. Registration link will be available soon. 

Melodies of Certain Damage (Opus 6) performances are canceled due to unforeseen circumstances.  Ticket purchases will be refunded automatically. Ticket-holders may present their original email confirmation for complementary same-day admission.

Tsabar’s Melodies of Certain Damage (Opus 6) performances are realized in a landscape of smashed guitars. The shattered remains evoke the destructive actions popularized in male-dominated rock and roll, but here they become instruments of communal performance that offer a feminist narrative. Join Tsabar and an ensemble of women and gender non-conforming performers from across the region as they activate Tsabar’s installation through site-specific performance. Free with admission. Masks are required for visitors attending this performance. Musicians not required to wear a mask. Tickets are limited, reservations required. Registration link will be available soon. 

Vincent van Gogh’s 1887 Self-Portrait recently returned to the Wadsworth after joining fifteen of the artist’s self-portraits from collections around the world in a landmark exhibition at the Courtauld Gallery, London. For more than a century, these works have played a key role in our perception of the famous post-impressionist, his life, and his art. This special lunchtime presentation by Dr. Karen Serres, Curator of Paintings at the Courtauld, gives Wadsworth members the chance to look anew at this beloved painting in our collection. Virtual program. Email invitations will be sent with registration links.

Hear about newly discovered early photographs from the collection from the 1840s through the 1940s in a conversation between Allen Phillips, Collection Imaging and Publications Manager, and Director Dr. Matthew Hargraves. Virtual program. Email invitations will be sent with registration links.

Artists Stephanie Syjuco (MATRIX 190) and Byron Kim (MATRIX 125) discuss their respective MATRIX exhibitions, their creative practices, and how they approach themes of identity, representation, and history in their work. MATRIX Past and Present is an ongoing series of conversations leading up to the 50th Anniversary of the MATRIX exhibitions program at the Wadsworth in 2025. Virtual program. Free with required registration. 
 

Balthus (1908–2001) is one of the most controversial European painters of the twentieth century. Little known during the 1930s, his status as a leading modern artist advanced with the Wadsworth’s crucial help. Join curator Oliver Tostmann as he explores the fascinating story behind the artist’s career and his reception on both sides of the Atlantic. Keep an eye on your inbox for an email invitation and registration link.