Calendar of Events

Vincent van Gogh’s 1887 Self-Portrait recently returned to the Wadsworth after joining fifteen of the artist’s self-portraits from collections around the world in a landmark exhibition at the Courtauld Gallery, London. For more than a century, these works have played a key role in our perception of the famous post-impressionist, his life, and his art. This special lunchtime presentation by Dr. Karen Serres, Curator of Paintings at the Courtauld, gives Wadsworth members the chance to look anew at this beloved painting in our collection. Virtual program. Email invitations will be sent with registration links.

Hear about newly discovered early photographs from the collection from the 1840s through the 1940s in a conversation between Allen Phillips, Collection Imaging and Publications Manager, and Director Dr. Matthew Hargraves. Virtual program. Email invitations will be sent with registration links.

Artists Stephanie Syjuco (MATRIX 190) and Byron Kim (MATRIX 125) discuss their respective MATRIX exhibitions, their creative practices, and how they approach themes of identity, representation, and history in their work. MATRIX Past and Present is an ongoing series of conversations leading up to the 50th Anniversary of the MATRIX exhibitions program at the Wadsworth in 2025. Virtual program. Free with required registration. 
 

Balthus (1908–2001) is one of the most controversial European painters of the twentieth century. Little known during the 1930s, his status as a leading modern artist advanced with the Wadsworth’s crucial help. Join curator Oliver Tostmann as he explores the fascinating story behind the artist’s career and his reception on both sides of the Atlantic. Keep an eye on your inbox for an email invitation and registration link. 

Get an inside look at the Wadsworth’s newest Spotlight exhibition featuring Alexander Calder textiles from the collection, the first project formed by the Art Bridges Cohort Program. During this virtual program exhibition cocurators Erin Monroe and Laura Leonard discuss how these rarely seen textiles expand the story of modern design and reveal a range of influences on Calder’s materials and motifs, from early New England textiles to Latin and South American designs.

Keep an eye on your inbox for an email invitation and Zoom registration link. Not a member? Join today!

Image: Inge Morath, Calder Painting Gouaches, Roxbury (detail), 1964. Photograph. Gift of the Estate of Inge Morath, 2002.12.1