Calendar of Events

A musical instrument made of glass? Explore the contemporary glass art on view in Fired Up: Glass Today as Vera Meyer performs an informal concert on the glass harmonica, a musical instrument developed by Benjamin Franklin. Free with museum admission. 

In-person tickets have SOLD OUT. Register for the live stream to attend the lecture via Zoom.

5pm reception, 6pm lecture—In museum & virtual 
Jelani Cobb, PhD, is an expert on how race, politics, history, and popular culture intersect in America. Author of the highly acclaimed book The Substance of Hope: Barack Obama and the Paradox of Progress, Cobb also writes about police brutality, voter access, racial discord, and partisan polarization and eloquently explores how the past looms in our contemporary societal landscape and how we can collectively push toward a more equitable America. Jelani Cobb discusses the complex dynamics of race and racism in America, to clarify them and inspire his audience to collective activism with the goal of achieving equity in the form of genuine democracy. He shows us that not only are the levers of justice in our hands, but we can move them in the direction we see fit. 

The Pennington Lecture is presented in honor of the Rev. Dr. James W. C. Pennington and is part of Capital Community College’s Black Heritage Project. The project aims to surface the remarkable history of the first Black church and school for Black children in Hartford through an exhibition on Hartford’s Black community formation (now on view at the college), curriculum in a variety of courses, and programs such as this.  

This lecture is sponsored by the National Endowment for the Humanities and the Capital Community College Foundation and presented as a collaboration between Capital Community College, The Amistad Center for Art & Culture, and the Wadsworth Atheneum Museum of Art. 

Listen to an informal musical performance in Avery Court by the Hartford-area Oboe Duo Agosto: oboist Ling-Fei Kang and oboist/English hornist Charles Huang. Free with museum admission. 

Listen to an informal musical performance by members of the Hartford-area Azul String Quartet, cellist Pablo Issa and violist Eugenio Figueroa, while you explore the works on view in Morgan Great Hall. Free with museum admission.

Entwyned Early Music Ensemble returns to the Wadsworth for an informal program of seventeenth-century music from the Dutch Republic. Enjoy the works on view in Chasing Rembrandt and the nearby Dutch art galleries while listening to the sounds of Rembrandt’s time. Free with admission.

Presented with support from The Saunders Foundation Music Endowment at the Wadsworth Atheneum.

Drop in for an informal performance by Chia-Yu Joy Lu, director of the Chinese music ensembles at Wesleyan University and Smith College, and Flora Gu, Wesleyan University student musician, featuring the erhu (Chinese two-string fiddle) and guzheng (Chinese 21-string zither). As you listen, view artworks from East Asia in the Wadsworth’s collection, including a porcelain “Vault of Heaven” vase dating to the Qianlong period of the Qing Dynasty. Free with admission.

Presented with support from The Saunders Foundation Music Endowment at the Wadsworth Atheneum.

”Vault of Heaven” vase (tianqiu ping), Qing Dynasty, Qianlong period (1736–95). Porcelain. Bequest of Elisha E. Hilliard, 1951.321

Natural Information Society’s hypnotic sound celebrates rhythm and collective listening through its approach to structured improvisation. Hailed by The New York Times as “patient, layered music that’s always heading somewhere, sometimes spare and sometimes complex and shimmering,” Natural Information Society fuses elements of minimalism and jazz with sounds from across the globe. Led by Joshua Abrams—composer, multi-instrumentalist, and founding member of The Roots—the ensemble incorporates free-hanging paintings by artist and band member Lisa Alvarado (MATRIX 192) into its performances, setting the stage for a multisensory journey through the ensemble’s colorful world. $15; $10 members, Wadsworth Welcome, and students with ID. Museum admission not included.

Joshua Abrams – guimbri, Lisa Alvarado – harmonium, Mikel Avery – drums & cymbals, Jason Stein – bass clarinet 

Presented in conjunction with the Lisa Alvarado / MATRIX 192 exhibition and generously supported by the Wadsworth’s Contemporary Coalition. Additional support for the performance is provided by the Joseph and Robert Cornell Memorial Foundation Fund at the Wadsworth Atheneum.  

Image: Photo by Mikel Patrick Avery, Courtesy of Natural Information Society and Front Porch Productions 

Join trumpet player and composer Haneef Nelson, the Greater Hartford Arts Council’s 2023 Jazz Activation Fellow, for an informal performance with the Birth of the Cool Ensemble led by Drake Smith. While you listen, view Bob Thompson’s monumental painting Garden of Music (1960), which features depictions of Ornette Coleman, Don Cherry, John Coltrane, Sonny Rollins, and other jazz legends that inspired Thompson’s work. Free.

Presented with support from the Greater Hartford Arts Council and the Saunders Foundation Music Endowment at the Wadsworth Atheneum

Image: Bob Thompson, Garden of Music, 1960. Oil on canvas. The Ella Gallup Sumner and Mary Catlin Sumner Collection Fund, 1987.4

Drop in as regional musicians create a sound map of our city throughout the galleries with a special recreation of the 1970 musical composition (Hartford) Memory Space by Alvin Lucier (1931–2021), one of the most influential American composers of the last hundred years, best known for his works that explore the properties of sound and how we perceive them. (Hartford) Memory Space premiered at Hartford Art School, inviting musicians to recreate the sounds they heard while out in the city. In conjunction with the exhibition Rules & Repetition. Free with admission.

Performances by Joan La Barbara, The Daxophone Consort (Daniel Fishkin, Cleek Schrey, and Ron Shalom), Tongue Depressor (Henry Birdsey and Zach Rowden), Trevor Saint, Ronald Kuivila, Emerson Jenisch, and Sam Boston.

Presented in partnership with Wesleyan University’s Center for the Arts and Hartford Art School at University of Hartford with support from the Joseph and Robert Cornell Memorial Foundation Fund at the Wadsworth Atheneum.

Image: Contact sheet from the Museum Archives Photograph Collection documenting Alvin Lucier’s performance of Music for Solo Performer (1965) at the Wadsworth Atheneum on April 23, 1996, part of an “Evening Lecture Series” on performance art.