Calendar of Events
Highlights Tours | Thursdays–Sundays, 12:30 & 2pm
Family Tour: Eyes on Art | Every Second Saturday, 12:15pm
In MATRIX 190, Stephanie Syjuco turns to incorporates imagery of nineteenth–century works from the Wadsworth’s American art collection as a lens to explore how art and museums shape our view of history. Join curators Erin Monroe and Jared Quinton as they discuss the shifting narratives around these grand portraits, idealized landscapes, and dramatic history paintings, including John Vanderlyn’s The Murder of Jane McCrea (1804). Free with museum admission. Meet in front of the Museum Shop.
Stigmatized by its associations with cannabis, flameworked glass has been almost completely left out of the broader discussion surrounding the contemporary glass art movement. Recent public policy shifts and greater inclusivity within the glass art community are turning the tide, bringing long-overdue recognition to the contributions of flameworkers. Brandy Culp, curator of Fired Up: Glass Today, moderates a discussion between artists David Colton, Kim Thomas, Carmen Lozar, and Curator of Postwar and Contemporary Glass at the Corning Museum of Glass Susie Silbert about the history, artistry, and ever–advancing technology of flameworking to shed light on this historically under-appreciated technique. Listen as some of the major voices in contemporary flameworking reflect on the art form’s journey from scientific laboratories and underground studios to the mainstream art world. Free with required registration.
The Wadsworth cares for a large costume and textile collection spanning centuries of construction and representing cultures from around the globe. Join Ned Lazaro, the Wadsworth’s new associate curator of costume and textiles, for an in-depth exploration of two mid-nineteenth-century costumes on view. Free with museum admission. Meet in front of the Museum Shop.
Robert Wiesenberger, curator of contemporary projects at the Clark Art Institute in Williamstown, Mass., responds to Matt Paweski / MATRIX 191, drawing on his own critical and curatorial interest in the intersection of modern and contemporary art, design, and architecture. Wiesenberger discusses how Paweski’s sculptural work both aligns and breaks with tradition, and makes connections with the Wadsworth’s collection, buildings, and histories. Free with museum admission. Meet in front of the Museum Shop.
In 1965, choreographer and filmmaker Yvonne Rainer premiered Parts of Some Sextets at the Wadsworth Atheneum with a cast of ten performers and twelve mattresses. The work marked a pivotal aesthetic shift in the artist’s approach to movement and helped usher in a radical shift in contemporary dance. Nearly six decades after its presentation here and a subsequent presentation at Judson Dance Theater, the work’s impact continues to be felt through a recent revival and continued scholarship. To celebrate the publication of Remembering a Dance: Parts of Some Sextets, 1965/2019 (Performa / Lenz Press / Wadsworth Atheneum, 2023), Rainer returns to the Wadsworth in conversation with dancer, choreographer, and longtime collaborator Emily Coates. The artists reflect on Rainer’s pioneering career, discuss the process of reconstructing Parts of Some Sextets for the Performa 19 Biennial in New York, and consider the landscape of contemporary dance.
Free with required reservation. A book signing follows the conversation.
Presented in partnership with Performa and sponsored by the Auerbach Library Associates at the Wadsworth Atheneum. Additional support is provided by the Joseph and Robert Cornell Memorial Foundation Fund at the Wadsworth Atheneum.
Image: Yvonne Rainer, Parts of Some Sextets, 1965/2019. Performa 19 Biennial. Photo by Paula Court, 2019. Courtesy Performa
Entwyned Early Music Ensemble returns to the Wadsworth for an informal program of seventeenth-century music from the Dutch Republic. Enjoy the works on view in Chasing Rembrandt and the nearby Dutch art galleries while listening to the sounds of Rembrandt’s time. Free with admission.
Presented with support from The Saunders Foundation Music Endowment at the Wadsworth Atheneum.
Taxile Maximin Doat (1851–1938) was one of the most important French ceramicists working at the turn of the twentieth century. Doat’s works are celebrated for his experimental glazes and technical achievements with pâte-sur-pâte (paste on paste) ornamentation. Linda Roth, curator of European decorative arts, explores the Wadsworth’s collection of ceramic works by Doat, including two recently acquired porcelain plates. Free with admission.
Taxile Doat, Plate, 1901. Porcelain. The European Decorative Arts Purchase Fund, 2019.16.2