Calendar of Events

A musical instrument made of glass? Explore the contemporary glass art on view in Fired Up: Glass Today as Vera Meyer performs an informal concert on the glass harmonica, a musical instrument developed by Benjamin Franklin. Free with museum admission. 

In MATRIX 190, Stephanie Syjuco turns to incorporates imagery of nineteenth–century works from the Wadsworth’s American art collection as a lens to explore how art and museums shape our view of history. Join curators Erin Monroe and Jared Quinton as they discuss the shifting narratives around these grand portraits, idealized landscapes, and dramatic history paintings, including John Vanderlyn’s The Murder of Jane McCrea (1804). Free with museum admission. Meet in front of the Museum Shop. 

A docent guided tour of collection highlights. Availability is limited to 15 participants and advance registration is recommended. A face mask/covering is encouraged. Same-day admission is included in the price of your tour ticket. 

Balthus (1908–2001) is one of the most controversial European painters of the twentieth century. Little known during the 1930s, his status as a leading modern artist advanced with the Wadsworth’s crucial help. Join curator Oliver Tostmann as he explores the fascinating story behind the artist’s career and his reception on both sides of the Atlantic. Free with museum admission. Meet in front of the Museum Shop. 

A docent guided tour of collection highlights. Availability is limited to 15 participants and advance registration is recommended. A face mask/covering is encouraged. Same-day admission is included in the price of your tour ticket. 

In-person tickets have SOLD OUT. Register for the live stream to attend the lecture via Zoom.

5pm reception, 6pm lecture—In museum & virtual 
Jelani Cobb, PhD, is an expert on how race, politics, history, and popular culture intersect in America. Author of the highly acclaimed book The Substance of Hope: Barack Obama and the Paradox of Progress, Cobb also writes about police brutality, voter access, racial discord, and partisan polarization and eloquently explores how the past looms in our contemporary societal landscape and how we can collectively push toward a more equitable America. Jelani Cobb discusses the complex dynamics of race and racism in America, to clarify them and inspire his audience to collective activism with the goal of achieving equity in the form of genuine democracy. He shows us that not only are the levers of justice in our hands, but we can move them in the direction we see fit. 

The Pennington Lecture is presented in honor of the Rev. Dr. James W. C. Pennington and is part of Capital Community College’s Black Heritage Project. The project aims to surface the remarkable history of the first Black church and school for Black children in Hartford through an exhibition on Hartford’s Black community formation (now on view at the college), curriculum in a variety of courses, and programs such as this.  

This lecture is sponsored by the National Endowment for the Humanities and the Capital Community College Foundation and presented as a collaboration between Capital Community College, The Amistad Center for Art & Culture, and the Wadsworth Atheneum Museum of Art. 

The Wadsworth cares for a large costume and textile collection spanning centuries of construction and representing cultures from around the globe. Join Ned Lazaro, the Wadsworth’s new associate curator of costume and textiles, for an in-depth exploration of two mid-nineteenth-century costumes on view. Free with museum admission. Meet in front of the Museum Shop.  

Listen to an informal musical performance in Avery Court by the Hartford-area Oboe Duo Agosto: oboist Ling-Fei Kang and oboist/English hornist Charles Huang. Free with museum admission. 

Listen to an informal musical performance by members of the Hartford-area Azul String Quartet, cellist Pablo Issa and violist Eugenio Figueroa, while you explore the works on view in Morgan Great Hall. Free with museum admission.

In the early sixteenth century, artists in the Low Countries carved intricate miniatures from boxwood as symbols of religious devotion for their wealthy Christian patrons. Today, these carvings produce an uncanny effect on museum visitors—they stop people in their tracks and demand to be remembered.

Why do these tiny treasures from half a millennium ago have such an outsized impact today? Barbara Drake Boehm, The Paul and Jill Ruddock Senior Curator of the Met Cloisters, Emerita, explores the world of these small wonders and ponders their mesmerizing effect. Free with required reservation. 

Presented in partnership with the Design and Decorative Arts Council with additional support provided by the Joseph and Robert Cornell Memorial Foundation Fund at the Wadsworth Atheneum.

Image: Attributed to Adam Dircksz and workshop, Miniature coffin, c. 1500–1530. Boxwood, metal (possibly silver), ink or paint. Gift of the Hartford Foundation for Public Giving and The Evelyn Bonar Storrs Trust Fund