Calendar of Events
Programs take place in the museum unless otherwise specified. Click here for public tour registration.
Highlights Tours | Thursdays–Sundays, 12:30 & 2pm
Family Tour: Eyes on Art | Every Second Saturday, 12:15pm
Salvator Rosa (1615–1673), one of the most eccentric painters of the Italian baroque, is celebrated for his unconventional approaches to portraiture, history painting, and landscape. Paintings conservator Allen Kosanovich examines an in-process treatment of Rosa’s Landscape with Tobias and the Angel (c. 1660), discussing how these efforts address over three centuries of aging and previous restoration. Free with admission.
Free to trade with the rest of the world after the American Revolution, citizens of the young United States found artistic inspiration at home and abroad. Explore the New Nation, Many Hands installation with Philippe Halbert, curator of American decorative arts, as he reveals how household goods, from ceramics and furniture to metalwork and textiles, combined practicality with patriotism in the early years of the United States. Free with admission. Meet in front of the Museum Shop.
Image: Attributed to Abner Reed (American, 1771–1866), Sign for David Bissell’s Inn and Joseph Phelps’s Inn, 1777 and 1801, Paint on wood. Bequest of Emma Bell King, 1933.381
Elizabeth Burgess, director of collections and research at the Harriet Beecher Stowe Center, discusses three letters connected to Frederick Douglass and held at the Center as well as his interactions with Stowe beginning in the 1850s. These powerful examples of celebrity abolitionist interplay illuminate central themes in the Wadsworth’s exhibition I Am Seen… Keep an eye on your inbox for an invitation and link to register.
Image: Harriet Beecher Stowe letter to Frederick Douglass, July 9, 1851. Harriet Beecher Stowe Center, Hartford, CT
Rembrandt Harmenszoon van Rijn (1606–1669) is a towering figure in the history of art, and the Wadsworth’s bold quest to obtain one of his paintings inspired the Chasing Rembrandt exhibition. Oliver Tostmann, Susan Morse Hilles Curator of European Art, examines the works on view, discusses their changing history of attribution, and explores Rembrandt’s role as a historical artist and a modern media phenomenon. Free with admission. Meet in front of the Museum Shop.
For centuries, people have signaled their off-hours through their choice of what was often more casual and unstructured clothing. But despite casting off obligations and responsibilities, our fashion has remained as central to us during leisure hours as during our professional or formal moments. Join Associate Curator of Textiles Ned Lazaro for a tour on the final weekend of this Costume & Textiles installation of historic clothing dating from 1750 through 1950. See how past generations dressed—and looked—when they relaxed. Free with required reservation. Keep an eye on your inbox for an invitation and link to register.
Image: Ned Lazaro dressing a mannequin in preparation for Relax! Leisure and Style
Lisa Alvarado’s free-hanging works challenge traditional boundaries between painting and textile, sound and material, and art and life. In her MATRIX exhibition, six new abstract paintings hang within a site-specific installation of floor sculptures and multichannel sound, encouraging visitors to consider what it feels like to see, or what it looks like to hear. Curator Jared Quinton leads a tour and discussion of Alvarado’s genre-defying practice and the eclectic inspirations behind it. Free with museum admission.
Lisa Alvarado, Spinning Echo, 2023. Acrylic paint, canvas, fabric, wood. Photo by Tom van Eynde. Courtesy of the artist, Bridget Donahue, New York, and The Modern Institute / Toby Webster Ltd, Glasgow
Join composer, sound artist, and museum educator Adam Lenz for an inside look at artworks in the Wadsworth’s collection that engage with music, sound, and auditory histories. The talk ends in Lisa Alvarado / MATRIX 192 where you explore a sound installation within the context of the exhibition. Free with museum admission. Meet in front of the Museum Shop.
Angèle Watson, Edward Matthews as Saint Ignatius (‘Four Saints in Three Acts’), 1934. Oil on canvas. Gift of the family of Angèle Watson, 2005.26.1
Get an inside look at the Wadsworth’s newest Spotlight exhibition featuring an 1855 bureau on loan from the Columbia (SC) Museum of Art. Join Glenna Barlow, curator of education, for an introduction to Thomas Day, a master craftsman and free person of color in the pre-Civil War South. Hear how this exceptional bureau expands our understanding of cabinetry and culture in North Carolina. This Spotlight is the second in a series of exhibitions funded by the Art Bridges Cohort Program that expands the narrative of American art and material culture through multi-institutional exhibitions on display at the Wadsworth through 2025.
Image: Sign outside Thomas Day’s studio. Photo by Jim Lamb
Special guest Jennifer Tonkovich, curator of drawings and prints at the Morgan Library & Museum, joins Linda Roth, Wadsworth curator of European decorative arts, in a conversation about the new book Morgan the Collector (2023).
The publication offers a series of essays illustrating a multifaceted portrait of J. Pierpont Morgan as a collector and pays tribute to Roth, who has dedicated much of her career to researching Morgan and the over 1,500 works from his collection now in the Wadsworth’s collection. Keep an eye on your inbox for an email invitation and registration link.
Visit the MET with us to see two major exhibitions exploring relationships between famed French painters Edouard Manet and Edgar Degas, and Henri Matisse and André Derain. Each exhibition examines how the artists’ methods defined modern French painting. $110; $100 members; includes transportation, admission, and gratuities. RSVP by September 26, 2023. For details and to download the registration form, visit thewadsworth.org/fwa.