Calendar of Events
Programs take place in the museum unless otherwise specified. Click here for public tour registration.
Highlights Tours | Thursdays–Sundays, 12:30 & 2pm
Family Tour: Eyes on Art | Every Second Saturday, 12:15pm
Did you know that Milton Avery spent his formative years in the Hartford area? Join curator Erin Monroe for a virtual talk In Milton’s Footsteps, showcasing the downtown art scene at the turn of the 20th century. Richly illustrated with archival documents and historic photographs, Monroe will highlight the locations that helped shaped one of the 20th century’s preeminent painters, from art student to emerging modern artist.
This event is presented in partnership with the Auerbach Library Associates and the Hartford History Center at Hartford Public Library.
Naama Tsabar (MATRIX 189) and Laurie Anderson (MATRIX 46) engage performance and sound as pivotal components in their creative practices. Listen in as Tsabar and Anderson discuss how they use sound as a medium for artmaking, challenge the stereotypes of musical genres through experimentation, and reveal the feminist dialogues at play in their work. Free virtual program.
Vincent van Gogh’s 1887 Self-Portrait recently returned to the Wadsworth after joining fifteen of the artist’s self-portraits from collections around the world in a landmark exhibition at the Courtauld Gallery, London. For more than a century, these works have played a key role in our perception of the famous post-impressionist, his life, and his art. This special lunchtime presentation by Dr. Karen Serres, Curator of Paintings at the Courtauld, gives Wadsworth members the chance to look anew at this beloved painting in our collection. Virtual program. Email invitations will be sent with registration links.
Artists Stephanie Syjuco (MATRIX 190) and Byron Kim (MATRIX 125) discuss their respective MATRIX exhibitions, their creative practices, and how they approach themes of identity, representation, and history in their work. MATRIX Past and Present is an ongoing series of conversations leading up to the 50th Anniversary of the MATRIX exhibitions program at the Wadsworth in 2025. Virtual program. Free with required registration.
Balthus (1908–2001) is one of the most controversial European painters of the twentieth century. Little known during the 1930s, his status as a leading modern artist advanced with the Wadsworth’s crucial help. Join curator Oliver Tostmann as he explores the fascinating story behind the artist’s career and his reception on both sides of the Atlantic. Keep an eye on your inbox for an email invitation and registration link.
Get an inside look at the Wadsworth’s newest Spotlight exhibition featuring Alexander Calder textiles from the collection, the first project formed by the Art Bridges Cohort Program. During this virtual program exhibition cocurators Erin Monroe and Laura Leonard discuss how these rarely seen textiles expand the story of modern design and reveal a range of influences on Calder’s materials and motifs, from early New England textiles to Latin and South American designs.
Keep an eye on your inbox for an email invitation and Zoom registration link. Not a member? Join today!
Image: Inge Morath, Calder Painting Gouaches, Roxbury (detail), 1964. Photograph. Gift of the Estate of Inge Morath, 2002.12.1
Join Associate Curator of Contemporary Art Jared Quinton for a discussion about Justine Kurland’s iconic photographic series, Girl Pictures (1997–2002), recently acquired by the Wadsworth and currently on view in Avery Court. Quinton discusses the work’s Connecticut origins and artful interweaving of cinematic narratives and feminist politics. Keep an eye on your inbox for an email invitation and link to register.
Justine Kurland, Toys R Us, 1998, from Girl Pictures, printed 1997–2002. 69 unique C-prints. Purchased through the gift of Robinson A. and Nancy D. Grover and the Alexander A. Goldfarb Contemporary Art Acquisition Fund, 2022.2.5
Elizabeth Burgess, director of collections and research at the Harriet Beecher Stowe Center, discusses three letters connected to Frederick Douglass and held at the Center as well as his interactions with Stowe beginning in the 1850s. These powerful examples of celebrity abolitionist interplay illuminate central themes in the Wadsworth’s exhibition I Am Seen… Keep an eye on your inbox for an invitation and link to register.
Image: Harriet Beecher Stowe letter to Frederick Douglass, July 9, 1851. Harriet Beecher Stowe Center, Hartford, CT
Get an inside look at the Wadsworth’s newest Spotlight exhibition featuring an 1855 bureau on loan from the Columbia (SC) Museum of Art. Join Glenna Barlow, curator of education, for an introduction to Thomas Day, a master craftsman and free person of color in the pre-Civil War South. Hear how this exceptional bureau expands our understanding of cabinetry and culture in North Carolina. This Spotlight is the second in a series of exhibitions funded by the Art Bridges Cohort Program that expands the narrative of American art and material culture through multi-institutional exhibitions on display at the Wadsworth through 2025.
Image: Sign outside Thomas Day’s studio. Photo by Jim Lamb